Thursday, November 19, 2015
Tuesday, November 10, 2015
Randall Lineback Cattle: from the Brink of Extinction
Vermont Public Radio and reporter Kathleen Masterson have produced an excellent piece on the historical role and current status of a frontier breed of cattle. The original seedstock proved highly important to the nation's colonial life and survival during the Revolution.
Randall Lineback Cattle
Shown are calves of the Randall Lineback breed. Click below to link to the Masterson/VPR report recently aired on November 5, 2015.
The Randall Lineback breed is considered a "landrace" species.
“Landrace”designates animal populations that arise in local areas and geared toward and favoring local production purposes. The breeding of landraces is usually fairly casual, and they gain uniformity mainly through their isolation from other of their kind. This landrace pattern of development results in useful breeds, adapted to their particular geographies. This was true of the New England lineback cattle of the 1700s and 1800s.
Randalls became valued for their milk, meat, and draft abilities.
Randalls became valued for their milk, meat, and draft abilities.
For more information, click on the link below and also visit the Randall cattle website sited in the Masterson article.
Randall Lineback Cattle
Monday, October 26, 2015
Some Scenes from a Great National Park
Hidden Falls near Jenny Lake . . .
The Grand Tetons National Park.
Blackbird or catbird hitching a ride on the road to Cody, Wyoming. Looking for a tick or lousy snack perhaps on the back of his host.
This big boy below appeared
near dusk on Elk Flats, Teton Village.
Trudging his way down to a drink and a greener meadow. His rules of the road meant using both lanes and claiming right-of-way.
A study from our hike along Jenny Lake, The Grand Tetons.
Sunday, October 11, 2015
Another of Those Great Barns
Found in front of the
Mission Range, western
Montana, near St. Ignatius.
Not much in the way of
foothills for the Missions.
They rise abruptly from
the valley floor and are notably
steep.
May this survivor enjoy
a long life. Like the rail
fence, barns are becoming
antiques and relics too
costly and often too
dysfunctional today to
maintain
Mission Range, western
Montana, near St. Ignatius.
Not much in the way of
foothills for the Missions.
They rise abruptly from
the valley floor and are notably
steep.
May this survivor enjoy
a long life. Like the rail
fence, barns are becoming
antiques and relics too
costly and often too
dysfunctional today to
maintain
Monday, September 7, 2015
Japanese Ikebana
At the fair last week, we wandered into the horticulture building and through the floral exhibits there. Our eye caught this scene and we photographed it with this blog in mind. Taken at the 2105 Ravalli County Fair, Hamilton, Montana.
Our thanks to the website www.ikebana.org for the description of this method of flower arranging.
Ikebana is the Japanese art of flower arrangement.
It is more than simply putting flowers in a container. It is a disciplined art form in which the arrangement is a living thing where nature and humanity are brought together. It is steeped in the philosophy of developing a closeness with nature.
As is true of all other arts, ikebana is creative expression within certain rules of construction. Its materials are living branches, leaves, grasses, and blossoms. Its heart is the beauty resulting from color combinations, natural shapes, graceful lines, and the meaning latent in the total form of the arrangement. Ikebana is, therefore, much more than mere floral decoration.
The growing appreciation of Japanese art and architecture in the West has extended to the Japanese way with flowers. Ikebana is an art, in the same sense that painting and sculpture are arts. It has a recorded history; it is backed up by articulate theories; and it is concerned with creativity. In Japan, flower arrangements are used as decorations on a level with paintings and other art objects.
Ikebana and the Japanese love of nature
The remarkably high development of floral art in Japan can be attributed to the Japanese love of nature. People in all countries appreciate natural beauty, but in Japan, the appreciation amounts almost to a religion. The Japanese have always felt a strong bond of intimacy with their natural surroundings, and even in contemporary concrete-and-asphalt urban complexes, they display a remarkably strong desire to have a bit of nature near them. Foreign visitors to Tokyo are often surprised to notice that their taxi driver has hung a little vase with a flower or two at the edge of the windshield. The Japanese house that does not at all times contain some sort of floral arrangement is rare indeed.
Nature is always changing. Plants grow and put forth leaves, flowers bloom, and berries are borne regularly and repeatedly throughout the seasons. Nature has its own rhythm and order. The awareness of this is the first step in involving oneself in ikebana.
In principle, ikebana aims not at bringing a finite piece of nature into the house, but rather at suggesting the whole of nature, by creating a link between the indoors and the outdoors. This is why arrangers are likely to use several different types of plants in a single arrangement, and to give prominence to leaves and flowerless branches as well as blossoms. Even when a single type of flower is used, an attempt is made to bring out its full implications as a symbol of nature.
Do men also do ikebana?
Both men and women study this art form. Indeed, in the past, ikebana was considered an appropriate pastime for even the toughest samurai. Currently, the leading flower arrangers are, for the most part, men. Ikebana is not only an art, but an occupation for men and women alike.
Is ikebana difficult?
To say that ikebana is a full-fledged art does not mean that it is esoteric. The greatest creations in the field are apt to be made by the most highly skilled experts, but, as in painting and sculpture, there is plenty of room for amateurs. Almost anyone with a little time and inclination can acquire sufficient skill to make beautiful arrangements. Still, as in the other arts, it is necessary to master certain fundamental techniques before proceeding to free creation.
Spiritual aspects of ikebana
Many practitioners of ikebana feel that the spiritual aspect of ikebana is very important. One becomes quiet when one practices ikebana. It helps you to live "in the moment" and to appreciate things in nature that previously had seemed insignificant. One becomes more patient and tolerant of differences, not only in nature, but more generally in other people. Ikebana can inspire you to identify with beauty in all art forms -- painting, music, etc., and to always expect the best in yourself.
What are ikebana arrangements made of?
The varying forms of ikebana share certain common features, regardless of the period or school. Any plant material -- branches, leaves, grasses, moss, and fruit -- may be used, as well as flowers. Withered leaves, seed pods, and buds are valued as highly as flowers in full bloom.
Whether a work is composed of only one kind of material or of many different kinds of materials, the selection of each element in the arrangement demands an artistic eye. An arranger with considerable technical skill combines materials to create a kind of beauty that cannot be found in nature.
How is ikebana different from flower arrangement?
What distinguishes ikebana from other approaches such as "flower arrangement" is its asymmetrical form and the use of empty space as an essential feature of the composition. A sense of harmony among the materials, the container, and the setting is also crucial. These are characteristics of aesthetics that ikebana shares with traditional Japanese paintings, gardens, architecture, and design.
Blog comment: there are several schools of Ikebana. We suggest you visit www.ikebana.org for more information . . . and inspiration.
Blog comment: there are several schools of Ikebana. We suggest you visit www.ikebana.org for more information . . . and inspiration.
Wednesday, August 26, 2015
Subscribe to:
Posts (Atom)











